Layout is split in two parts with one half dedicated to the oral history of an art curator, the other half—to a converation with a product designer. Publication is literally cut in the middle to allow the two stories to unfold simultaneously. Besides, by going through juxtaposing fragments, the reader can find unexpected parallels and overlaps. Contradictions may emerge, too.
Photocopy-like stylistic treatment of shadow-throwing text going in and out of focus to hint at memories slipping. Printed on recycled paper as a nod to procreation of histories through the act of retelling. Spiral bound, so the cycle continues.